Sunday, September 25, 2011

The King Memorial

Hello again world and welcome back to my blog. Nothing much for today's entry, but I will have more stuff for you coming soon. Instead, I thought I'd share some of the pictures I took from when I visited the King Memorial on Labor Day. As you will see, the area was immense with diverse people who came to see this new addition to Washington's mix of history, art and culture. The experience of visiting this memorial was nothing short of amazing; the essence of Dr.King's spirit and crusade felt very evident in walking throught the site. I do plan on going back in the near future, and encourage you to do so whenever possible. Meantime, check these pics out, and let me know your thoughts. Until next time, peace out.











Wednesday, August 24, 2011

The Importance of August 28th


Hello again world and welcome back to my blog. On what should have been the opening dedication of the Martin Luther King, Jr., National Memorial on August 28, 2011, today's entry will be about the significance of the day August 28th itself in American and thus worldwide history. On that particular calendar day, three key events would shape the American Civil Rights Movement, a struggle where the youth and visionaries of that generation would change the navigational course of traditional "decency", equality and freedom. In chasing that tide of directive change, the courage of that generation- and those before them who had to suffer worse indignities- is very profound, as I surely cannot accurately fathom the level of disrespect and inhumanity they faced on a normal basis. With this in mind it could be argued that August 28th be viewed as a Civil Rights Memorial Day of sorts, as events on that day through the years would galvanize then stregnthen participation in both the movement and its following legacy.

August 28, 1955- the Murder of Emmett Till


A little over three months before Rosa Parks' defiant standing up through sitting in the whites only section of the bus in December 1955, fourteen year old Chicago native Emmett Till was murdered in Mississippi for the "crime" of whistling at a white woman. Taken late at night from the home of the relatives with whom he was staying, Till- in the last moments of life and first moments after death- would endure ghastly mutilation to his body by egotistical murderers who not only took his life but sought to take his humanity and manhood through such disfigurement. The latter goal would not be achieved, as Till's mother displayed his body and story in an effort to show how badly America needed to change in its race relations. Though it would be a few months before more Americans would begin to heed and spread this message- as Till's murderers would later confess to their crime as unrepentant free men- Emmett Till would become a cataclysmic symbol for such truth, justice, and sadly enough, growth.

August 28, 1963- Martin Luther King, Jr., Shares his Dream


Eight years into the Civil Rights Movement, the March On Washington for Jobs and Freedom was held at the Lincoln Memorial in Washington, D.C. Using the march's platform for civic and economic growth as well as for its push towards legislation for voting rights, one of its prime leaders would vividly announce the intended goals and aspirations the movement itself aimed to achieve for present and future societies. In his riveting "I Have A Dream" speech, Martin Luther King, Jr., uses allegorical references from literature, religion and politics to speak of a possible society that overcomes bitter prejudices to engage with diverse cultures in achieving equal harmony. What strikes me most about the speech is King's near clairvoyant delivery; in switching from the written text to literally freestyling, he confidently uses his preaching gifts to have the crowd further envision his idealistic agenda as he speaks it. As with its brilliant orator, the "I Have A Dream" speech has its invaluable place in history -in its case as a spoken blueprint for modern tolerance and togetherness.

August 28, 2008- Barack Obama Accepts the Democratic Nomination for U.S. President


Fifty-three years to the day after Emmett Till's murder, forty-five years to the day of Martin Luther King, Jr., delivering his "I Have A Dream" speech, U.S. Senator Barack Obama accepts the Democratic nomination for the Presidency of the United States. Obama, a humble yet charismatic politician from Illinois, had began to captivate Americans and their potential votes through speaking about a committal to progressive change towards a better quality of life. He would also captivate through his keen sense of history, as other memorable dates and scenes in this country coincided within his journey to the White House. This certain August 28th event marks an event of change in America itself, as it shows a culmination- not the total culmination as there is more work to do, but a culmination- of evidence of efforts towards relativity through diversity.

The heroic life, work, and legacy of civil rights leader Rev. Dr. Martin Luther King, Jr., would cause fellow Americans to memorialize him in the nation's capital. Although the dedication of his memorial did not happen on the forty-eighth anniversary of one of his greatest moments as was originally planned, keep in mind that the three previously described events on August 28th would help to transform ideas, thoughts, and possibilities for future generations. As I stated above, the Civil Rights Movement caused great changes that greatly accelerated our cultural and even spiritual growth, and today it reminds us to always work towards the best ideals for ourselves, our people and our societies.

Well, I think that's about it for now folks. Thanks for taking the time to read this blog, and let me know what you think about this and other entries. Until next time, peace out.

Tuesday, August 16, 2011

The Top Five Spike Lee Movies


Hello again world and welcome back to my blog. Today's entry is a retrospective of classic American cinema, as we count down the top five movies of filmmaker Spike Lee. As the prime years of his career range from the late 1980's to the 1990's, Lee (seen in the above photo as his Air Jordan saavy alter-ego Mars Blackmon) told stories of the modern black community, accurately depicting its views and opinions concerning racism, sexuality and class. His unique brand of realism would both counter the imaginary, superheroic "blaxploitation" era of a decade before, as well as usher in a cadre of black filmmakers who would be inspired to tell stories from their own specific point of view (i.e. John Singleton, Lee Daniels, and even Tyler Perry). Here are my top five Spike Lee movies, films that I think display his genius at mixing cultural, diasporic values with biting political commentary.

5. He Got Game (1998)



As we all know Spike to stay front row center at any given Knicks game, in "He Got Game" he uses the love of basketball to propel dissonance in the relationship between an estranged father and son.

4. School Daze (1988)



The satirical title for this film is accurately appropriate; it simultaneously praises and criticizes HBCUs while exploring deeper levels of difference in the black community regarding class, education and skin color.

3. Get On the Bus (1996)



Set against the backdrop of the Million Man March, "Get on the Bus" is a movie that I venture to say is truly specific to the black male audience. To attend the march, a small group of black men ride a charter bus cross-country from Los Angeles to Washington, D.C., in hopes of finding solidarity within their race and communities. As we watch the group's pilgrimage unfold, we observe every possible interpretation and relationship of the black man, ranging from old to young, father to son, convict to lawman, even homosexual to homophobic. Though their individual personalities and lifestyles do provide division, it is at a cost that the group ultimately achieves the solidarity they journeyed for.

2. Do the Right Thing (1989)



Hailed by many to be Spike's greatest film if not his best known, "Do the Right Thing" parallels the hottest day of the year with rising, explosive anger towards gentrification in a black neighborhood. It could be said that most of the characters in fact do not do the right thing; they talk at each other rather than to each other, and each side wants the other to accommodate their culture while not being willing to do so themselves. The arguing and frustration catapult the film's most memorable scenes, such as when the comedically defiant Buggin' Out and friends have a dispute with a white neighbor over scuffed Air Jordans, or when the movie's breakout character Radio Raheem has a semi-hostile interaction with Korean store owners while trying to buy batteries for his boombox. The ending of "Do the Right Thing" is intentionally ambiguous, I think because Spike wanted the audience to draw their own conclusions about what was right or wrong, racist or defensive.

1. Malcolm X (1992)



Through this telling of Malcolm's epic story, the combination of Spike's direct narrative with Denzel Washington's commanding performance accomplishes the impossible; it makes an already iconic figure more grandiose in legacy but also more relatable to a new generation. "Malcolm X" was a total labor of love for Spike, as he had to fight to direct, produce and finance the film to be as accurate to his vision as possible. The film brilliantly evaluates Malcolm's constant and truthful spiritual evolution by breaking his life up into four parts that intermingle when necessary to show genuine feeling or thought behind certain events. His fiery yet elegant persona is perfectly embodied by Denzel in what is one of the greatest acting performances I've ever seen.

In recent years, Spike's range has expanded through directing both stirring, thought provoking documentaries (4 Little Girls, When the Levees Broke) and feature films that have his core audience relate to non-black, outlaw type characters (25th Hour, Inside Man). While some of this latter signature-styled films (She Hate Me, Miracle at St. Anna) have been more serious in subject matter but less playful in depiction, they nevertheless showcase his continued ability to tell stories accurate to black American society both historical and current. I hope that he will continue in this style in his upcoming remake of the Korean film "Oldboy", as some of the principles of that story can be amended towards his point of view. Though some of his releases have been initially recieved as controversial and insulting, Spike Lee used his movies to help the advance for "culture clash" in modern American society, as he pushes his audience into observing then relating to other races and cultures more in a common ground.

Well, that's about it for now folks. Thanks for taking the time to read to blog, and let me know what you think about this and other entries. Until next time, peace out.

Wednesday, July 13, 2011

The Daring Audacity of President Obama



Hello again world and welcome back to my blog. In the spirit of American patriotism, today's entry will be about our current Commander and Chief, President Barack Obama. With the election year of 2012 on the horizon, Obama's chances of re-election are met with both anticipation by supporters and speculation by critics. We are left to ponder his chances of repeating victory; can he run the immaculate, well-oiled race again amidst the publicized doubts of his tenure in office over the last two and a half years? Right now the answer to that question splits down the middle, as those who believe Obama's best efforts are constantly constrained by "old school, politics as usual" government have as much power in their vote as those who believe his policies have since worsened the situation America was in when he first stepped into office. Nevertheless, most on either aisle can't (legitimately) dispute Obama's commitment to the American people, and in my opinion he is the most hardworking President I have seen thus far.



Barack Obama's race for the presidency in 2008 was nothing short of legendary, as his combination of fabled biography and idealistic vision led voters to view him as a symbolic hero within a matter of months. His was a style I call being so "classic it's original", as he had an grand backstory similar to that of Lincoln, a destiny that is aligned with the dream of King, the youthful optimism reminiscent of Kennedy, and had ahead of him a mountain of tasks to complete as Franklin Roosevelt did. America excitedly welcomed this type of heroic projection while facing the crises of downsized economy, rising gas prices and unemployment rates, and fighting in wars that were deemed unnecessary and unpopular. With the slogan "Yes We Can" as a battle cry, candidate Obama's main appeal to the voters was in rejuvenating their desire to join in the American process, poignantly reminding them that they must cite and enact the change they want seen rather than waiting on others to do so first.

In the two and a half years that Obama has taken office, he has worked towards fixing America's problems both domestic and foreign. However, his proposed plans and policies towards this effort would be met with resistance, mostly by a more conservative faction of Congress that claimed his agendas would be overexpensive and ineffective. This would lead to sparring between these conservatives and the liberals that supported the President's agendas, in turn making Obama become, unintentionally, the most polarizing figure in modern American politics. For the sake of having these policies go into active movement, Obama would go to compromise with Congress, even going as far to keep the Bush tax cuts for the wealthy (that he vowed to eradicate once in office) extended so that unemployment benefits for the middle, working class could be extended longer as well. Even for all his compromising and diligent efforts, the midterm elections of 2010 proved to be against the favor of Obama's Democratic party, as more Republicans were voted to Congressional seats.



After enduring such political defeats, Obama would gain a resurgance of popularity and confidence from the American people beginning in early 2011, its main catalyst being his order of raid and assassination of terrorist Osama bin Laden proving successful. This action would be Obama's crowning achievement in office (thus far); until his fatal capture, bin Laden had been elusive to worldwide law enforcement for the nearly one decade after the 9/11 attacks on America. This career victory would give Obama more clout to respond against critics who had previously questioned his competence and commitment to the presidency, as well as those who repeatedly (and foolishly) questioned his true nationality. I must admit that I enjoyed seeing this President wittingly address these opinions, as his responses were respectful yet defiant.



As the 2012 presidential election will soon be upon us, I beleive that Barack Obama will guide his campaign with two main factors; the first being his trademark, pop-culture styled accessibility to the American people, and the second being a showcase of the positive changes he made in America since being elected in 2008 (new reform on health care, finding services that creates new jobs, the capture of bin Laden). No matter what your opinion is of Obama and his policies, you must admit that he has gotten the American people to pay more attention to our country's problems and intended solutions more than any other President in recent history. One must also admit his bravery in being a "pop culture President", as he could far more easily be booed at public outings by the audience he works for than by the Congress he works with- and the fact that he doesn't get booed while appearing in these outings by the American public must mean that a great percentage of them must recognize his effort to change things for the better. I know Barack Obama can't entirely run the immaculate, well-oiled race again in 2012, but nevertheless I still believe in his chances for reelection due to the sort of idealism, accessibility and dignity he exemplifies.

Well, that's about it for now folks. Thanks for taking the time to read this blog, and let me know what you think about this and other entries. Until next time, peace out.

Saturday, June 25, 2011

The Mythological Michael Jackson


Hello again world and welcome back to my blog. Being that June is Black Music Month and in remembrance of its 25th being the second anniversary of our subject's death, I would be remiss not to have today's entry be about the "King of Pop" Michael Jackson. He was indeed and undoubtedly the greatest entertainer that ever lived, performing superhuman routines that changed music, art, dance and worldwide society at large. Though he died at age 50, it could be said that Michael lived a life that had 100 years worth of experiences; throughout his entire existence he was never in between, either having mind-blowing successes or earth-shattering failures. Everything about Michael Jackson- both on and off stage- was truly an event to his worldwide audience, and thanks to his epic journey there are far too many of these moments to count.


Over the forty plus year time span from "ABC" to "This Is It", Michael Jackson centered his innovative style around his individually unique singing voice(s). When he and his older brothers were introduced to the world's stage as the Jackson Five, they catapulted to superstardom hugely due to their youngest member being a prodigal, energetic dynamo. The most interesting attribute about Michael's voice during this era is that he sings with a wiser beyond his years, "old soul" type of presence. This is especially evident with his vocals in romantic leads, sounding as if he has experienced the type of longing and heartache as depicted in "The Love You Save", "I'll Be There", "Got To Be There", and "I Wanna Be Where You Are". Michael is a vocal rarity in that he has sung with two very distinct voices- one as the wise child prodigy and the other being the signature and stylized adult megastar.



Such the calculating performer was Michael that he understood that the expressive physicality between song (voice) and dance (body) must match perfectly. Even as the child prodigy he would dedicate himself to this ideal by creating song specific dance patterns that demanded perfect timing and execution. Though he always danced with unbridled yet strategic energy, Michael would rewrite the relationship between song and dance during his "Thriller" era by fusing it unparalleled magical elements that fueled his audience's imagination. As we watched him perform the Moonwalk to "Billie Jean", the "West Side Story" inspired choreography to "Beat It", and later the lean in "Smooth Criminal", we realized that Michael was a "special effect" within himself, making us question Isaac Newton's theories of gravity. A true testament to his moves and cool factor is that after seeing him make the moves look so easy we instantly believed we could do it ourselves, but then proving it made us realize his dedication to flawlessness even more.



As he was always a performer that must be both seen and heard, Michael would marry pop music to theatrical vision through the medium of music video. When he released his juggernaut album "Thriller" in 1982, he put to work his grand vision of using filmmaking inspired by art, history and classic cinema to tell other areas of his songs' storylines that you couldn't get with just music and dance. The key element to these "short films" as Jackson called them was in fact the storyline itself; to me, it is as if Michael had these storylines in mind all along, even selecting the proper visuals and historic era in his head while recording the song and crafting the dance moves specific to it. With this mammoth combination of elements, Jackson's short films ranged from the stylized genre pieces such as "Thriller", "Smooth Criminal" and "Remember the Time" to the epic operas such as "Bad", "Captain Eo" and "Ghosts".



Just as Michael Jackson would come to symbolize the ultimate performer, he would also come to symbolize the ultimate celebrity. In this sense, he was P. T. Barnum's realization of bringing amazing entertainment to his audience from an act that was rooted from eccentric, bizarre greatness. Illusion plays a big part in Michael Jackson's legacy in that you didn't know what was real and/or fake in his life both on and off stage. It would be the offstage events in Jackson's life- the physical transformations, eccentric behavior and most notably allegations of child molestation-that fueled an imagination from his audience that he would shun and dismiss, causing him to have a love/hate relationship with media outlets. But it would be the ultimate performing persona of Michael that would win out, as when he died in 2009 he was "recanonized" by the media and his audience by holding weekend long marathons of his music and films, and airing his public memorial in an effort to remember to his great accomplishments.



The main element to Michael Jackson's mythology is surprise; good or bad, you really wouldn't have believed him unless you had seen him. His style, accomplishments, individuality and struggles cause him to be a modern day epic hero whose life's works have inspired others to elevate their own. It is amazing that over course of the forty plus years that we were his audience, and even today, Michael would use his magic to surprise us over and over again yet still leave us wanting more. As he is in a class all his own, it is without a doubt that I believe the greatest entertainer who ever lived was the "King of Pop", Michael Jackson.

Well, that's about it for now folks. Thanks for taking the time to read this blog, and let me know what you think about this and other entries. Also, if you want more great commentary on music and culture, check out the Hip Hop's Politician's blog- trust me, it's good stuff there, you'll thank me later. Until next time, peace out.