Seeing Slavery Through A New Hollywood- Are We Ready?

Hello again world and welcome back to my blog. Today's entry will attempt to decipher a question that will no doubt permeate audiences' minds within the coming months and maybe years- in this modern society, are we ready to see Hollywood depict America's past with slavery? Two upcoming film projects seem to beg the question- the first will be director Quentin Tarantino's spaghetti western/blaxploitation inspired "Django Unchained", and the second, based on the true story of Solomon Northup, is "12 Years A Slave". It is important to note that both films boast A-list casting, with "Django" having the likes of Jamie Foxx and Leonardo DiCaprio, and "12 Years" lining up Chiwetel Ejiofor and Brad Pitt. As these stars and productions prepare for this gamble and ask their audiences to place their bets upon release, I wonder exactly how films with slavery in the main role will be interpreted by our generation.



Though slavery in America has been depicted in Hollywood before, the sensitivity of the subject has caused its story to be told in between lapses of time. Also keep in mind that historical films, as with other film genres, are perceived not by the era they depict but rather by the era in which they are made. Take for example D.W. Griffith's 1915 Civil War epic "The Birth of A Nation" (a film I have seen clips of, but not yet in its entirety for fear of anger); not only are blacks and slaves portrayed by white actors in blackface, but they are portrayed as stupid, selfish and barbaric in response to their "heroic" white Confederate counterparts. Now let's jump to an American film standard, 1939's "Gone With the Wind"; though it shows a kinder, more modern phase of race relations towards the 1860's South, viewers still see subservience in blacks even after their release from bondage.



Undoubtedly, the biggest production thus far to have its audience see the complete totality of slavery in America is the 1977 television miniseries "Roots". Based from the novel of writer Alex Haley, "Roots" traces an African and his American descendants' journey into slavery, from capture to freedom. As it was made after the Civil Rights era, the main characters' roles- especially that of the African, Kunta Kinte- were portrayed as more dignified, defiant and resourceful towards their situations and aspirations. "Roots" would become a cultural landmark, still remaining one of the highest watched television programs in American history. However, in the time since "Roots", most Hollywood productions involving blacks in antebellum/Civil War era America (i.e "Glory" and "Amistad") have had slavery as a shadowy, looming backdrop against their crusade.



Now with these past narratives in mind, how will Hollywood interpret American slavery in today's post-black, Obama-era society? As "Django" and "12 Years" works toward answering this question, I personally assume that the modern audience will need their protagonist slave to be heroically resistant against their bondage, resulting in their freedom by the end of the film. I also believe that these protagonists will be a more symbolic hero whose journey relates a more one-on-one, intimate correlation with their audience. Essentially, this new model of past American slavery will have to represent a combination of society's past truths with its current ambitions while not relying on the hurtful stereotypes of that past.

For fear of these stereotypes, there are some that believe that these films could regress the psyche of blacks in cinema; that the "angry, violent, black man" has been done and over. These are valid concerns, but from what I understand to know of these films' developments it seems that the protagonists' anger is justifiable and the violence (though expected to be more cartoonish for "Django") is needed when necessary. Also, remember that the top tier casting in these films says something about the material, as I'm sure these actors would not gamble on a project that they felt would totally destroy their credibility or careers. Therefore, I eagerly look forward to the production and release of these films with the thought that this particular new model of black uprising could lead to a new sort of "black superhero" to be seen and identified by our generation specifically. So I myself am ready to see how slavery can depicted in today's Hollywood- but I am one of many, some of that many agreeing with this anticipation while the others do not. Nevertheless, the opinions, debates and possibilities of seeing an American slave liberate himself in our generation's time are infinite and groundbreaking.

Well, I think that's about it for now folks. Thanks for taking the time to read this blog, and let me know what you think about this and other entries. Until next time, peace out.

The King Memorial

Hello again world and welcome back to my blog. Nothing much for today's entry, but I will have more stuff for you coming soon. Instead, I thought I'd share some of the pictures I took from when I visited the King Memorial on Labor Day. As you will see, the area was immense with diverse people who came to see this new addition to Washington's mix of history, art and culture. The experience of visiting this memorial was nothing short of amazing; the essence of Dr.King's spirit and crusade felt very evident in walking throught the site. I do plan on going back in the near future, and encourage you to do so whenever possible. Meantime, check these pics out, and let me know your thoughts. Until next time, peace out.

The Importance of August 28th

Hello again world and welcome back to my blog. On what should have been the opening dedication of the Martin Luther King, Jr., National Memorial on August 28, 2011, today's entry will be about the significance of the day August 28th itself in American and thus worldwide history. On that particular calendar day, three key events would shape the American Civil Rights Movement, a struggle where the youth and visionaries of that generation would change the navigational course of traditional "decency", equality and freedom. In chasing that tide of directive change, the courage of that generation- and those before them who had to suffer worse indignities- is very profound, as I surely cannot accurately fathom the level of disrespect and inhumanity they faced on a normal basis. With this in mind it could be argued that August 28th be viewed as a Civil Rights Memorial Day of sorts, as events on that day through the years would galvanize then stregnthen participation in both the movement and its following legacy.

August 28, 1955- the Murder of Emmett Till


A little over three months before Rosa Parks' defiant standing up through sitting in the whites only section of the bus in December 1955, fourteen year old Chicago native Emmett Till was murdered in Mississippi for the "crime" of whistling at a white woman. Taken late at night from the home of the relatives with whom he was staying, Till- in the last moments of life and first moments after death- would endure ghastly mutilation to his body by egotistical murderers who not only took his life but sought to take his humanity and manhood through such disfigurement. The latter goal would not be achieved, as Till's mother displayed his body and story in an effort to show how badly America needed to change in its race relations. Though it would be a few months before more Americans would begin to heed and spread this message- as Till's murderers would later confess to their crime as unrepentant free men- Emmett Till would become a cataclysmic symbol for such truth, justice, and sadly enough, growth.

August 28, 1963- Martin Luther King, Jr., Shares his Dream


Eight years into the Civil Rights Movement, the March On Washington for Jobs and Freedom was held at the Lincoln Memorial in Washington, D.C. Using the march's platform for civic and economic growth as well as for its push towards legislation for voting rights, one of its prime leaders would vividly announce the intended goals and aspirations the movement itself aimed to achieve for present and future societies. In his riveting "I Have A Dream" speech, Martin Luther King, Jr., uses allegorical references from literature, religion and politics to speak of a possible society that overcomes bitter prejudices to engage with diverse cultures in achieving equal harmony. What strikes me most about the speech is King's near clairvoyant delivery; in switching from the written text to literally freestyling, he confidently uses his preaching gifts to have the crowd further envision his idealistic agenda as he speaks it. As with its brilliant orator, the "I Have A Dream" speech has its invaluable place in history -in its case as a spoken blueprint for modern tolerance and togetherness.

August 28, 2008- Barack Obama Accepts the Democratic Nomination for U.S. President


Fifty-three years to the day after Emmett Till's murder, forty-five years to the day of Martin Luther King, Jr., delivering his "I Have A Dream" speech, U.S. Senator Barack Obama accepts the Democratic nomination for the Presidency of the United States. Obama, a humble yet charismatic politician from Illinois, had began to captivate Americans and their potential votes through speaking about a committal to progressive change towards a better quality of life. He would also captivate through his keen sense of history, as other memorable dates and scenes in this country coincided within his journey to the White House. This certain August 28th event marks an event of change in America itself, as it shows a culmination- not the total culmination as there is more work to do, but a culmination- of evidence of efforts towards relativity through diversity.

The heroic life, work, and legacy of civil rights leader Rev. Dr. Martin Luther King, Jr., would cause fellow Americans to memorialize him in the nation's capital. Although the dedication of his memorial did not happen on the forty-eighth anniversary of one of his greatest moments as was originally planned, keep in mind that the three previously described events on August 28th would help to transform ideas, thoughts, and possibilities for future generations. As I stated above, the Civil Rights Movement caused great changes that greatly accelerated our cultural and even spiritual growth, and today it reminds us to always work towards the best ideals for ourselves, our people and our societies.

Well, I think that's about it for now folks. Thanks for taking the time to read this blog, and let me know what you think about this and other entries. Until next time, peace out.

The Top Five Spike Lee Movies

Hello again world and welcome back to my blog. Today's entry is a retrospective of classic American cinema, as we count down the top five movies of filmmaker Spike Lee. As the prime years of his career range from the late 1980's to the 1990's, Lee (seen in the above photo as his Air Jordan saavy alter-ego Mars Blackmon) told stories of the modern black community, accurately depicting its views and opinions concerning racism, sexuality and class. His unique brand of realism would both counter the imaginary, superheroic "blaxploitation" era of a decade before, as well as usher in a cadre of black filmmakers who would be inspired to tell stories from their own specific point of view (i.e. John Singleton, Lee Daniels, and even Tyler Perry). Here are my top five Spike Lee movies, films that I think display his genius at mixing cultural, diasporic values with biting political commentary.

5. He Got Game (1998)



As we all know Spike to stay front row center at any given Knicks game, in "He Got Game" he uses the love of basketball to propel dissonance in the relationship between an estranged father and son.

4. School Daze (1988)



The satirical title for this film is accurately appropriate; it simultaneously praises and criticizes HBCUs while exploring deeper levels of difference in the black community regarding class, education and skin color.

3. Get On the Bus (1996)



Set against the backdrop of the Million Man March, "Get on the Bus" is a movie that I venture to say is truly specific to the black male audience. To attend the march, a small group of black men ride a charter bus cross-country from Los Angeles to Washington, D.C., in hopes of finding solidarity within their race and communities. As we watch the group's pilgrimage unfold, we observe every possible interpretation and relationship of the black man, ranging from old to young, father to son, convict to lawman, even homosexual to homophobic. Though their individual personalities and lifestyles do provide division, it is at a cost that the group ultimately achieves the solidarity they journeyed for.

2. Do the Right Thing (1989)



Hailed by many to be Spike's greatest film if not his best known, "Do the Right Thing" parallels the hottest day of the year with rising, explosive anger towards gentrification in a black neighborhood. It could be said that most of the characters in fact do not do the right thing; they talk at each other rather than to each other, and each side wants the other to accommodate their culture while not being willing to do so themselves. The arguing and frustration catapult the film's most memorable scenes, such as when the comedically defiant Buggin' Out and friends have a dispute with a white neighbor over scuffed Air Jordans, or when the movie's breakout character Radio Raheem has a semi-hostile interaction with Korean store owners while trying to buy batteries for his boombox. The ending of "Do the Right Thing" is intentionally ambiguous, I think because Spike wanted the audience to draw their own conclusions about what was right or wrong, racist or defensive.

1. Malcolm X (1992)



Through this telling of Malcolm's epic story, the combination of Spike's direct narrative with Denzel Washington's commanding performance accomplishes the impossible; it makes an already iconic figure more grandiose in legacy but also more relatable to a new generation. "Malcolm X" was a total labor of love for Spike, as he had to fight to direct, produce and finance the film to be as accurate to his vision as possible. The film brilliantly evaluates Malcolm's constant and truthful spiritual evolution by breaking his life up into four parts that intermingle when necessary to show genuine feeling or thought behind certain events. His fiery yet elegant persona is perfectly embodied by Denzel in what is one of the greatest acting performances I've ever seen.

In recent years, Spike's range has expanded through directing both stirring, thought provoking documentaries (4 Little Girls, When the Levees Broke) and feature films that have his core audience relate to non-black, outlaw type characters (25th Hour, Inside Man). While some of this latter signature-styled films (She Hate Me, Miracle at St. Anna) have been more serious in subject matter but less playful in depiction, they nevertheless showcase his continued ability to tell stories accurate to black American society both historical and current. I hope that he will continue in this style in his upcoming remake of the Korean film "Oldboy", as some of the principles of that story can be amended towards his point of view. Though some of his releases have been initially recieved as controversial and insulting, Spike Lee used his movies to help the advance for "culture clash" in modern American society, as he pushes his audience into observing then relating to other races and cultures more in a common ground.

Well, that's about it for now folks. Thanks for taking the time to read to blog, and let me know what you think about this and other entries. Until next time, peace out.

The Daring Audacity of President Obama

Hello again world and welcome back to my blog. In the spirit of American patriotism, today's entry will be about our current Commander and Chief, President Barack Obama. With the election year of 2012 on the horizon, Obama's chances of re-election are met with both anticipation by supporters and speculation by critics. We are left to ponder his chances of repeating victory; can he run the immaculate, well-oiled race again amidst the publicized doubts of his tenure in office over the last two and a half years? Right now the answer to that question splits down the middle, as those who believe Obama's best efforts are constantly constrained by "old school, politics as usual" government have as much power in their vote as those who believe his policies have since worsened the situation America was in when he first stepped into office. Nevertheless, most on either aisle can't (legitimately) dispute Obama's commitment to the American people, and in my opinion he is the most hardworking President I have seen thus far.



Barack Obama's race for the presidency in 2008 was nothing short of legendary, as his combination of fabled biography and idealistic vision led voters to view him as a symbolic hero within a matter of months. His was a style I call being so "classic it's original", as he had an grand backstory similar to that of Lincoln, a destiny that is aligned with the dream of King, the youthful optimism reminiscent of Kennedy, and had ahead of him a mountain of tasks to complete as Franklin Roosevelt did. America excitedly welcomed this type of heroic projection while facing the crises of downsized economy, rising gas prices and unemployment rates, and fighting in wars that were deemed unnecessary and unpopular. With the slogan "Yes We Can" as a battle cry, candidate Obama's main appeal to the voters was in rejuvenating their desire to join in the American process, poignantly reminding them that they must cite and enact the change they want seen rather than waiting on others to do so first.

In the two and a half years that Obama has taken office, he has worked towards fixing America's problems both domestic and foreign. However, his proposed plans and policies towards this effort would be met with resistance, mostly by a more conservative faction of Congress that claimed his agendas would be overexpensive and ineffective. This would lead to sparring between these conservatives and the liberals that supported the President's agendas, in turn making Obama become, unintentionally, the most polarizing figure in modern American politics. For the sake of having these policies go into active movement, Obama would go to compromise with Congress, even going as far to keep the Bush tax cuts for the wealthy (that he vowed to eradicate once in office) extended so that unemployment benefits for the middle, working class could be extended longer as well. Even for all his compromising and diligent efforts, the midterm elections of 2010 proved to be against the favor of Obama's Democratic party, as more Republicans were voted to Congressional seats.



After enduring such political defeats, Obama would gain a resurgance of popularity and confidence from the American people beginning in early 2011, its main catalyst being his order of raid and assassination of terrorist Osama bin Laden proving successful. This action would be Obama's crowning achievement in office (thus far); until his fatal capture, bin Laden had been elusive to worldwide law enforcement for the nearly one decade after the 9/11 attacks on America. This career victory would give Obama more clout to respond against critics who had previously questioned his competence and commitment to the presidency, as well as those who repeatedly (and foolishly) questioned his true nationality. I must admit that I enjoyed seeing this President wittingly address these opinions, as his responses were respectful yet defiant.



As the 2012 presidential election will soon be upon us, I beleive that Barack Obama will guide his campaign with two main factors; the first being his trademark, pop-culture styled accessibility to the American people, and the second being a showcase of the positive changes he made in America since being elected in 2008 (new reform on health care, finding services that creates new jobs, the capture of bin Laden). No matter what your opinion is of Obama and his policies, you must admit that he has gotten the American people to pay more attention to our country's problems and intended solutions more than any other President in recent history. One must also admit his bravery in being a "pop culture President", as he could far more easily be booed at public outings by the audience he works for than by the Congress he works with- and the fact that he doesn't get booed while appearing in these outings by the American public must mean that a great percentage of them must recognize his effort to change things for the better. I know Barack Obama can't entirely run the immaculate, well-oiled race again in 2012, but nevertheless I still believe in his chances for reelection due to the sort of idealism, accessibility and dignity he exemplifies.

Well, that's about it for now folks. Thanks for taking the time to read this blog, and let me know what you think about this and other entries. Until next time, peace out.